Drawing from my experience on various shoots, I’ve had the opportunity to work with a wide range of cameras, each with its own technical specifics. One of the major challenges has often been integrating timecode along with an audio signal to ensure perfect synchronization in post-production.
To help you better anticipate your technical needs, here is a list of the main cameras I’ve encountered, along with the types of connectors required for timecode and audio. This information will help you equip yourself effectively and avoid unpleasant surprises on set.
Please note that these configurations are valid for Timecode Tentacles Sync.
Audio and Timecode Synchronization : Choosing the Right Equipment Based on Cameras
ARRI CAMERA
ARRI ALEXA 35
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ARRI ALEXA 35
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TIMECODE – Lemo 5
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AUDIO – XLR 5
ARRI ALEXA MINI
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ARRI ALEXA 35
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TIMECODE – Lemo 5
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AUDIO – Mini Lemo 5
SONY CAMERA
SONY VENICE
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SONY VENICE
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TIMECODE – BNC
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AUDIO – XLR 5
SONY FX6 / 9
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SONY FX 6
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TIMECODE – BNC
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AUDIO – XLR 3
SONY FX3
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SONY FX 3
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TIMECODE – Tentacle C24
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AUDIO – Jack 3.5
BLACKMAGIC CAMERA
BLACKMAGIC URSA MINI
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BLACKMAGIC URSA MINI
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TIMECODE – BNC
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AUDIO – XLR 3
BLACKMAGIC POCKET 6K
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BLACKMAGIC POCKET 6K
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TIMECODE – Jack 3.5
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AUDIO – Jack 3.5
REC CAMERA
RED GEMINI
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RED GEMINI
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TIMECODE – Lemo 4
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AUDIO – XLR 3
RED MONSTRO
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RED MONSTRO
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TIMECODE – Lemo 5
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AUDIO – XLR 3
RED KOMODO
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RED KOMODO
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TIMECODE – Lemo 5
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AUDIO – Jack 3.5
RED EPIC / DRAGON / SCARLET
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RED KOMODO
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TIMECODE – Lemo 4
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AUDIO – Jack 3.5
Find Out More
List of the main timecode units on the market.
Do you use accessories to attach your props to the camera ? Share your stories in the comments below !